"I imagine, therefore I am"
"Our imagination is stretched to the utmost,
not, as in fiction, to imagine things which are not really there, but
to comprehend things which are there."
 Richard Feinman, Physicist, Nobel Laureate
"To say prediction is the purpose of a scientific theory is to
confuse means with the ends.
It is like saying the purpose of a spaceship is to burn fuel."
 David Deutch, founding father of Quantum Computing, from 'The Fabric
of Reality'
An imagining, a theory, always awaits its double: the
fact of its proof, as creation
St. Jerome as a virtual image, proscenium stage, still around today.

Open
windows, apertures, planes, perspective, the 'apprehension' of space,
way back then.

Hologram,
as lensless conjugate imaging, projecting disturbances of time
in space as, real time interferometry, not shadows on a screen.

"The Mandelbrot set, named after Benoit Mandelbrot, is a fractal.
Fractals are objects that display selfsimilarity at various scales.
Magnifying a fractal reveals smallscale details similar to the largescale
characteristics. Although the Mandelbrot set is selfsimilar at magnified
scales, the small scale details are not identical to the whole. In
fact, the Mandelbrot set is infinitely complex. Yet the process of
generating it is based on an extremely simple equation involving complex
numbers."  David Dewey 
Mandelbrot
formula where
C is a complex number constant, and Z starts out as zero.

Upon
multiple iterations and color applied to delineate 'within' and
'without' the Mandelbrot set, a bug is born, which will lead to
a mass infestation of imaginations and knowledge

And
where the mathematics of complex numbers and iterations produce
a mathematical reality visualized here in stereoscopic 3D film by
Oldaker and Hart (2010)

"The Mandelbrot set is a set of complex numbers, so we graph
it on the complex number plane. However, first we have to find many
numbers that are part of the set. To do this we need a test that
will determine if a given number is inside the set or outside the
set. The test is based on the equation Z = Z(squared) + C. C represents
a constant number, meaning that it does not change during the testing
process. C is the number we are testing, the point on the complex
plane that will be plotted when testing is complete. Z starts out
as zero, but it changes as we repeatedly iterate this equation.
With each iteration we create a new Z that is equal to the old Z
squared plus the constant C. So the number Z keeps changing throughout
the test.
We're not really interested in the actual value of Z as it changes,
we just look at its magnitude. The magnitude of a number is its
distance from zero. For example, the number 9 is a distance of
9 from zero, so it has a magnitude of 9. The magnitude of a complex
number is harder to measure. To calculate it, we add the square
of the number's distance from the xaxis (the horizontal real axis)
to the square of the number's distance from the yaxis (the imaginary
vertical axis) and take the square root of the result. In this illustration,
a is the distance from the yaxis, b is the distance from the xaxis,
and d is the magnitude, the distance from zero.
As we iterate our equation, Z changes and the magnitude of Z also
changes. The magnitude of Z will do one of two things. It will either
stay equal to or below 2 forever, or it will eventually surpass
two. Once the magnitude of Z surpasses 2, it will increase forever.
In the first case, where the magnitude of Z stays small, the number
we are testing is part of the Mandelbrot set. If the magnitude of
Z eventually surpasses 2, the number is not part of the Mandelbrot
set.
The Mandelbrot set is an incredible object. It's really amazing
that the simple iterated equation Z = Z(squared) + C can produce
such beautiful works of mathematical art. "  David Dewey

JULIA SETS
in the context of complex dynamics, a topic of mathematics, the
Julia set and the Fatou set are two complementary sets defined from
a function. Informally, the Fatou set of the function consists of
values with the property that all nearby values behave similarly under
repeated iteration of the function, and the Julia set consists of
values such that an arbitrarily small perturbation can cause drastic
changes in the sequence of iterated function values. Thus the behavior
of the function on the Fatou set is 'regular', while on the Julia
set its behavior is 'chaotic'. The Julia set of a function ƒ is commonly
denoted J(ƒ), and the Fatou set is denoted F(ƒ).[1] These sets are
named after the French mathematicians Gaston Julia[2] and Pierre Fatou,[3]
whose work began the study of complex dynamics during the early 20th
century. 
 IN PROGRESS ESSAY 
A.R. 2011
Saturna, Canada
A parallel universe: Sexuality
and Eros  The Fuel of Visual Alchemies
"Sexuality, eros, love and enchantment are part of the visual
alchemies of our world. Whether expressed in the 'virtual' or 'real',
whether invoking allegory or pure lust, it's basic resonance are
the frequencies of life.
Sex is part of alchemy, and part of everything else.
The 'virtual body', however, makes for a sublime concubine."
(XAR)
: 'Projecting
 Desire'  lessons in the visual alchemies of projection
 Currently offline  not for children or underaged readers

Also revisit surrealist and platonic
concepts in:
'Plato's
Cave and the Marvelous in Waiting'
